Feature Film · Romantic War Drama / Action

What the
Heart Wants

Istanbul · Heidelberg · Syria

A Turkish software engineer and an American combat medic fall in love in Heidelberg. When she is taken hostage in Syria — carrying his child, though neither of them knows it yet — he does the only thing left to a civilian with no army and no clearance. He goes in after her.

120 MinutesEnglish & TurkishScript CompleteCross-Cultural
Onur and Madison in Heidelberg

The Story

Two People, Three Countries

It opens like a romance and ends like a war film. That is not a tonal problem. That is the point.

Spring 2014. Onur, a software engineer from Istanbul, is sent to Germany on a three-month training assignment. He is thirty-two, good at his job, slightly too pleased with himself, and — from years of competitive sports shooting his father pushed him into — one of the best rifle marksmen in Turkey. A fact that will matter far more than his degree.

A bicycle collision on a Heidelberg cobblestone street introduces him to Madison, who tends to his scraped arm and tells him she is a doctor. She is telling the truth and leaving most of it out. She is a combat medic with an American Special Forces unit stationed in Germany, deployed at short notice anywhere in the world.

What follows is the film's warmest hour. Turkish chocolates offered across a café table, broken German, an argument about whether America has any business in the Middle East that ends in laughter instead of a door slamming. They fall in love the way people do when they both know the clock is running.

She takes him to America when her father needs surgery. He meets her parents. He meets Bora, a Turkish carpet dealer in his sixties who has been in the States forty years. Then Madison's phone rings and she is gone — recalled to Germany, and from there, without explanation, to Syria.

Her team is going in to recover an American journalist held by ISIS. Their guide betrays them. Everyone dies except Madison, who is taken alive because a woman is worth more in a negotiation. In captivity she discovers she is pregnant.

Onur learns none of this through official channels — her unit will speak only to next of kin, and he is nobody. Through Bora, and then through Remzi, a retired American intelligence officer who married a Turkish woman and never quite stopped working, he arrives at the only plan available to him.

He grows a beard. He walks into an ISIS recruiting network in the Fatih district of Istanbul. He crosses at Antakya. And in a training camp in northern Syria, his marksmanship and his computer skills make him valuable enough that nobody looks too closely at where he came from.

Heidelberg
A bicycle, a cobblestone street, and a woman who says she is a doctor
The turn
The last conversation before everything changes

Setting

Three Worlds

The film changes its own visual language twice, and both times the audience feels it before they can name it.

It opens in Istanbul and it ends in Istanbul — an aerial title sequence over the Bosphorus at the top, a wedding on the same water at the bottom. Everything between those two bookends is somewhere else.

Heidelberg
Act One · Germany

Heidelberg

Cobblestones, a river, a beer house, and two people with three months. High-key, warm, unhurried. The film is at its most generous here.

The crossing
Act Two · Antakya → Syria

The Crossing

A guide, a border, a training camp. The light goes flat and hard and stays there. This is where the film stops being a romance.

Hazima
Act Three · Northern Syria

Hazima

One village, one guarded house, one rifle scope. Costumes, weapons and uniforms exact to the 2014 conflict; a boot camp for cast and armed extras.

Cast of Characters

The People

Onur Kaya
Onur Kaya
32 · Software Engineer · Istanbul

Boğaziçi graduate, colonel's son, national-level marksman. Confident to the edge of arrogant, and certain that Western armies have no business in the Middle East. He will spend the third act inside one of the reasons why.

Madison Harold
Madison Harold
32 · Combat Medic · US Special Forces

A mailman's daughter who has worked since she was sixteen. She got through medical school to get into the Army and through selection to get into the unit. She has seen the worst of people and is somehow not done hoping.

Kudret Kaya
Kudret Kaya
65 · Retired Colonel · Onur's Father

Thirty years an officer, ten years retired, still incapable of missing the evening news. Tough, principled, prone to panic he would never admit to. There is nothing he would not do for his son — including this.

Bora
Bora
65 · Carpet Dealer · United States

Forty years in America, three marriages, two children he never sees. Started in the Grand Bazaar and ended up with a shop of his own. Courageous, practical, and the only person on the American side who will pick up the phone.

Remzi (Ramsey)
Remzi (Ramsey)
65 · Former CIA · Istanbul

Worked Turkey for years, married a woman there, retired into the city. His Turkish is good enough that the accent reads as regional. Whether the retirement is real is a question the film declines to answer.

Brigitte
Brigitte
30 · Surgeon · Heidelberg

Madison's housemate and closest friend, a surgeon at the American military hospital. The one telling Madison to stop lying by omission to the man she is falling for.

Before & After

Nine Months

The film is a character study disguised as a rescue. These four frames are the whole argument.

Onur, Heidelberg
Onur
Heidelberg · Spring
Onur, Syria
Onur
Hazima · Winter
Madison, Heidelberg
Madison
Off Duty
Madison, deployed
Madison
Deployed

Same two people, nine months apart. Nobody in this film ends where they started, and only one of them chose it.

Hazima
Hazima · Northern Syria · 2014
Patrol
Costumes, weapons and uniforms exact to the 2014 conflict

Structure

Three Acts

Pages 1–25

Setup

Istanbul, then Heidelberg. The collision, the chocolates, the argument about the Middle East. Two families hear about it from a distance and are politely alarmed. Everything in this act is warm and nothing in it is safe.

Pages 25–60

Complication

A phone call she cannot explain. An ambush she does not survive intact. A pregnancy she discovers in a locked room. And a civilian in Istanbul discovering that loving someone gives you no standing at all.

Pages 60–120

Crisis & Resolution

Fatih, Antakya, a training camp, a rifle scope, a satellite phone. Helicopters at dawn over Hazima. And then a wedding on the Bosphorus, where the film insists — having earned it — that this was worth surviving.

Comparable Films

In the Tradition Of

1995Before SunriseRichard Linklater

Two strangers, a European city, and a clock neither can stop.

2003Lost in TranslationSofia Coppola

Intimacy built across a language gap, in a country belonging to neither.

2012Zero Dark ThirtyKathryn Bigelow

Procedural rigour — the unglamorous mechanics of finding one person.

1996The English PatientAnthony Minghella

A love story that war does not interrupt so much as define.

Look & Sound

Craft

Visual Arc

The film opens high-key, warm and romantic. After the break it turns low-key, shadowed and hard. At the resolution it returns deliberately to the light it started in — the audience is meant to notice the round trip.

HeidelbergSyriaIstanbul

Practical locations wherever possible. The Syria sequences built in Turkey. Costumes, uniforms and weapons exact to the 2014 conflict, with boot camp training for the cast and extras carrying rifles.

Field hospital

Music

The spine is Turkish folk — Aşık Veysel and Neşet Ertaş, whose lyrics Onur translates for Madison in one of the film's quietest and most revealing scenes. A man explaining a song is a man explaining himself.

Rock for the conflict sequences. Romantic melodies through the Heidelberg act. Local and devotional music across the camp and the crossing — used as texture, never as shorthand.

The opening is an aerial title sequence over Istanbul set to a song about the city. The last scene is a wedding. The music closes the same circle the light does.

Why This Film

Producer's Statement

As in every age before ours, the tightest bond between human beings is still love. We live in a time when a great deal around us is losing its meaning, and we still know exactly what love makes people do.

People from different cultures who genuinely fall in love will take any risk to hold on to it. That has not changed. What has changed is war. It has lost the direct, openly stated justifications it once claimed, and replaced them with ambiguity about why anyone is fighting at all.

Even the conditions these ugly wars create cannot hold love back. That is the fact this film is built on.Yalçın Kümeli

The story and the characters are entirely fictional, set in the recent past of 2014. Onur is not a soldier and never becomes one. He is a man with one unusual skill and no other options, and the film is honest about how badly that could have ended.

It is also a story about two cultures looking directly at each other. If it makes an audience curious about the people on the other side of that look, it will have done the larger part of its job.

Northern Syria

Development

Materials & Status

Format
Feature Film · 120 minRomantic war drama / action
Screenplay
Complete105 pages · 143 scenes · English translation available
Language
English & TurkishSubtitled · Some German
Locations
Istanbul · Heidelberg · USASyria sequences to be built in Turkey
Materials
Lookbook · Character AnalysesSynopsis, treatment and 10-page sample available
Stage
Seeking FinancingProduction companies, co-production partners and streamers

Financial Overview

Budget

$2.15M
Estimated Production Budget
45 Shooting Days
Turkey
28 shooting daysIstanbul exteriors and interiors · Syria sequences built in the southeast
Germany
12 shooting daysHeidelberg old town, river, beer house · Rammstein exteriors or green screen
United States
5 shooting daysMadison's family home, hospital, Bora's carpet store
Structure
Turkey — Germany Co-ProductionTurkish production incentive · German regional funds · A natural fit for a story that lives in both countries
Above the Line
Two leads, six supportingBoot camp training budgeted for cast and armed extras

Working estimate. Detailed budget and schedule available on request.

Get in Touch

Let's Talk

yalcin@yalcinkumeli.com
www.yalcinkumeli.com

Full screenplay, lookbook and character analyses available on request.