Salonica waterfront, 1917

Television Series · Historical Crime Drama

Yasmin

Salonica, 1917

In 1917 Salonica, a young Sephardic Jewish woman is thrust into the dangerous underworld of opium smuggling after her family perishes in a tragic fire. As war, political upheaval and betrayal close in, she must transform from an innocent girl into a powerful and ruthless leader to survive.

1 Hour Drama8–10 EpisodesMulti-SeasonFemale-LedPeriod
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The Story

Season One Synopsis

A city burns. A daughter reads her father's ledgers. And a world that had no place for her discovers it has no choice.

Salonica sits at one of history's most volatile crossroads — the First World War, an empire in collapse, and a city passing from Ottoman to Greek hands. Its largest community is Sephardic Jewish, speaking Ladino in streets where Greek, Turkish and French are traded like currency.

Yasmin is seventeen. Her father Isaac is a respected jeweler. He is also, quietly, one of the men who moves opium through the harbour. Her older brother Jacob has been groomed for the business. Yasmin has been groomed for nothing — which is precisely why she watches everything.

The Great Fire takes the city in a single night. It also takes Isaac and Jacob, trapped in a warehouse through the interference of Isaac's rival, Alexandros. Yasmin survives, standing in the ash with her friend Esther, and finds her father's hidden ledgers.

She inherits a criminal operation and a community that depended on it. Isaac's men doubt her — she is young, and she is a woman. She wins them one shipment at a time: learning the bribes, the routes, the marked crates, outmanoeuvring Alexandros with a patience he mistakes for weakness.

Power costs her everything it touches. Her Greek boyfriend Nikos is sent to fight in Turkey and reported dead — a loss that closes something in her and opens something harder. She finds unexpected footing with Sofia, a harbour worker who challenges the male-dominated underworld on her own terms, and something between them that neither expected.

Then the ground shifts again. Anti-Semitic and nationalist sentiment begins to move through the city, and Yasmin learns that no amount of money or leverage protects a Jewish name. Having built an empire out of ashes, she makes the one decision she swore she never would: she leaves.

The season closes on the harbour where it began. Yasmin — older, harder, unrecognisable to the girl of episode one — boards a boat for İzmir, carrying her father's legacy out of a home destroyed twice. First by fire. Then by hatred.

The Great Fire of Salonica, 1917
The Great Fire of Salonica · August 1917 · 70,000 displaced

Setting

The World

Not a backdrop. A pressure system.

Salonica in 1917 is a city that no longer knows what it is. Ottoman for five centuries, Greek for five years, occupied by Allied troops, and about to lose a third of itself to fire. The Sephardic Jewish community — the city's largest — has been there since 1492. Within one generation it will be gone.

The Sephardic quarter

The Quarter

Wooden houses, shuttered windows, Ladino in the street. Four hundred years of continuity, eleven hours from ash.

The harbour at night

The Harbour

Where the city's real government sits. Customs officers, manifests, and the price of looking the other way.

The warehouse

The Warehouse

Crates, a brass scale, a ledger. The whole empire fits in one room — which is what makes it possible to inherit.

Cast of Characters

The People

Yasmin
Yasmin
17 → 20s · Protagonist

Intelligent, headstrong, more curious than her father allows. Excluded from the business, so she learns it by watching. When the fire leaves her the only one standing, curiosity turns out to have been an apprenticeship.

Isaac
Isaac
50s · The Father

A respected jeweler and a careful criminal. A man of control and calculation who built something to protect his community and never told his daughter — the one person capable of keeping it.

Alexandros
Alexandros
40s · Antagonist

A rival smuggler and political opportunist. Charming, patient, entirely without mercy. He engineered Isaac's death and cannot conceive that the girl left behind is the threat.

Jacob
25 · The Brother

Loyal, groomed for the business, morally conflicted about all of it. He dies before he can resolve the question — and the question passes to his sister.

Esther
18 · Best Friend

Tied to everything Yasmin was before. Confidante, logistician, and moral compass — she helps build the empire while quietly fearing what it is building out of Yasmin.

Nikos
20s · First Love

Greek, steady, the one uncomplicated thing in her life. Sent to fight in Turkey and reported dead. His absence does more to shape Yasmin than his presence ever did.

Sofia
Sofia
Harbour Worker

Survives the docks on her own terms in a world that has no category for her. She challenges Yasmin's methods, refuses to be an accessory, and becomes the thing Yasmin least expected to want.

Marcos
40s · The Syndicate

Isaac's most trusted man. Gruff, sceptical, certain a girl cannot run a harbour. He is the first one she has to win, and the first one who would die for her.

Leah
Deceased · The Mother

Present only in memory. Her warning about the fire of power returns to Yasmin at every threshold — and is ignored at every one.

The jeweler's bench
The Trade
Gold wire, a loupe, an unfinished ring. What the family is known for.
Brass scale with poppy pods and coins
The Other Trade
The same brass, the same steady hands, weighing something else entirely.
Salonica harbour at night
Season One · Six Episodes · Salonica

Season One

Episode Breakdown

01
The Fire

Salonica, its Jewish quarter, and the double life of a jeweler. Yasmin follows her father to the docks and sees the crates. That night the city burns, Isaac and Jacob die in the warehouse, and Yasmin finds the hidden ledgers in the ash.

02
The Syndicate

She steps into Isaac's role. The bribes, the routes, the men who do not believe in her. Alexandros warns her off the harbour; she stays. One successful shipment buys her something more useful than respect — doubt.

03
Love and War

Nikos is drafted and leaves for Turkey. Yasmin forges alliances she would not have considered a month ago, and meets Sofia on the docks. The feud with Alexandros escalates from threat to sabotage.

04
Loss

Word comes that Nikos is dead. Grief does not break Yasmin — it focuses her. She answers Alexandros's largest strike with a colder one of her own, and crosses a line she cannot uncross.

05
Empire

The operation flourishes; officials are on her payroll; the harbour whispers her name. Sofia challenges her methods and they clash. Success draws attention Yasmin cannot bribe away.

06
Fascism

Nationalist violence reaches the quarter. Alexandros returns aligned with it. Yasmin wins the last confrontation and understands, in winning, that she has already lost the city. She arranges passage to İzmir.

A former Ottoman officer
Season Two · İzmir · Mustafa, the officer who fought the war that took Nikos

The Long Arc

Three Cities

One woman, three exiles, thirty years. Each season is a new world — and the same question asked harder.

Season One

Salonica

1917–1920

Inheritance. Yasmin takes her father's syndicate out of the ashes of the Great Fire, defeats Alexandros, and is driven out by the thing she cannot fight: what her name means to other people.

Season Two

İzmir

1920s

Reconstruction. A Greek-speaking Sephardic Jew building an empire in a Turkish port. A rival named Mehmet, a corrupt official named Ali, and Mustafa — a former Turkish officer who fought in the war that killed Nikos.

Season Three

Los Angeles

1930s

Legitimacy. A widowed mother turns smuggling capital into film financing and finds Hollywood every bit as ruthless as the harbour. Her children, born into the empire, want out of it.

A burned ledger
The ledgers · What Isaac left behind

Comparable Series

In the Tradition Of

2013Peaky BlindersSteven Knight

A family business that is also a criminal one, and the cost of running both.

2017Babylon BerlinTykwer · Handloser · Bohm

A city's glamour and its rot in the same frame, with fascism approaching from offscreen.

2015NarcosChris Brancato

The unsentimental mechanics of a trade — routes, bribes, margins, bodies.

2022The Gilded AgeJulian Fellowes

A woman building power inside a system designed to exclude her from it.

Why This Series

Creator's Statement

For five hundred years, Salonica was the largest Sephardic Jewish city in the world. Expelled from Spain in 1492, the community was received by the Ottoman Empire and built a life there so complete that the port shut down on Saturdays. By 1945 almost none of them were left.

That history is almost entirely absent from television. Not contested — absent. When I started reading about the Great Fire of 1917, what struck me was not the scale of it but the timing: a community loses its city to flames, and within one generation loses it again to something that does not burn.

I did not want to write a victim. Yasmin is not good. She bribes, she threatens, and by episode four she has ordered a man killed. What interests me is that she was never given the choice to be anything else — and that she stops asking for one.Yalçın Kümeli

The three-season structure came from the history itself. This is a story about people who are made to leave, and then made to leave again. Salonica, İzmir, Los Angeles — each time she rebuilds faster, and each time something is left behind that does not come back.

Peaky Blinders gave the crime saga a working-class rage. Babylon Berlin gave it a doomed city. I want to give it a woman who has no country, three languages, and a ledger she was never supposed to read.

Yasmin, three years later

Development

Materials & Status

Format
1-Hour DramaSeason 1: 6–10 episodes · Multi-season arc across three cities
Written Material
Pilot Script & Series Bible CompleteFull pilot screenplay and 30-page series bible available on request
Language
EnglishWith Ladino, Ottoman Turkish and Greek elements as spoken texture
Setting
Salonica · İzmir · Los Angeles1917 through the 1930s
Genre
Historical Crime DramaPolitical intrigue · Family saga · Female-led
Stage
Seeking MeetingsProduction companies, streamers and co-production partners

Get in Touch

Let's Talk

yalcin@yalcinkumeli.com
www.yalcinkumeli.com

Pilot script and series bible available on request.